Please order by the following dates for guaranteed Christmas delivery...
|
United Kingdom |
... |
19th December |
|
European Union |
... |
12th December |
|
North America |
... |
12th December |
|
Rest of World |
... |
5th December |
Please note that our mail order department closes down for Christmas and New Year between the dates of 23rd December and 2nd of January. All emails and queries will be responded to after this time.
The French work jacket or ‘Bleu De Travail’ has been a favourite item of clothing at LABOUR AND WAIT since we opened in 2000. Its utilitarian origins make it the most practical of jackets. Today this type of jacket is worn and loved by people of all ages.
After many years of selling vintage jackets, we have used our knowledge and experience in collaboration with venerable brand ‘Le Mont St. Michel’ to create the ultimate work jacket.
Since 1913 Le Mont St Michel have produced practical, hardwearing clothing for workers; from farmers to craftsmen. They are widely regarded as one of the top workwear brands of the 20th century.
The work jacket incorporates our favourite details from the hundreds of vintage examples which have passed through our hands. These features include: three patch pockets with chevron facings and one inside pocket, a 5 button placket with coroso buttons, shirt-style collar and cuffs; and of course it is made from the traditional, iconic blue cotton twill fabric.
Our work jacket launches online and in our Shoreditch shop on 16th September. To celebrate we will be serving Breton cider from 6pm on Wednesday 20th September, to which all are welcome.
For London Design Festival 2023, LABOUR AND WAIT have invited the inimitable sporting and fishing bag company Brady to ‘pop-up’ in our Marylebone shop.
Brady brothers John and Albert started their company in Birmingham in 1887 making leather gun cases. Over the years their range expanded to include fishing and game bags and Brady became world renowned as makers of the finest quality sporting leather goods.
Brady have maintained their traditions, values and standards established more than a century ago and continue to make all their bags, by hand, in Walsall, Birmingham.
Brady only use the best quality canvas, brass components and English bridle leather. Many styles first introduced in the 1930s and 40s are still made to original patterns and remain some of the most popular Brady styles.
For this event we have commissioned a series of their classic bags in materials of our choice.
The pop-up shop will run from Saturday 16th to Sunday 24th September, 2023.
We will also be serving a local Bimingham beer and nibbles to celebrate from 6pm on Thursday 21st September, to which all are welcome.
We look forward to seeing you!
On Friday the 25th of November, instead of discounts and offers, LABOUR AND WAIT will again be donating 10% of all sales to CRISIS AT CHRISTMAS, in an effort to help homeless people throughout the United Kingdom this winter.
This September, British Standard by Plain English will bring its timeless wooden cupboards to our Shoreditch and Marylebone shops. We are both rooted in our commitment to quality and craftsmanship, which is perfectly expressed through British Standard's kitchens alongside our selection of products. Through this partnership, visitors will have the chance to view British Standard’s off-the-peg wooden cupboards in a brand new configuration and setting for the duration of London Design Festival.
Since July, British Standard's Roving Showroom has put rubber to tarmac, travelling around to showcase what a British Standard kitchen can be. Taking inspiration from smaller, modern kitchens like those found in Barbican flats, the Roving Showroom fulfils all the requisites of a contemporary kitchen. The Roving Showroom will be parked outside our Marylebone shop on Dorset Street on Tuesday 20th and Thursday 22nd between 11am and 3pm, fully equipped with familiar Labour and Wait products!
British Standard have created a bespoke, mobile kitchen unit to take centre stage in our Shoreditch shop on Redchurch St. Taking colour inspiration from our enamel products, this piece reflects the adaptability of British Standard kitchens, which, like the product selection at Labour and Wait, is able to comfortably straddle the traditional as well as contemporary.
London Design Festival runs from Saturday 17th to Sunday 25th September, 2022.
We are trés content to announce that our cousins across the Channel in France can now order from us online.
Some good news for Europe: We are tentatively beginning shipments to the European Union. It's a tricky process, so we will be serving one country at a time, adding as we go over a period of weeks to ensure we straighten out any kinks in the process. We're starting with our closest neighbours in the Republic of Ireland, who can start ordering today. We'll be reaching out to our friends on the continent in due time! Please note that due to new (silly) rules, certain items can't be sent to EU countries, which will be labelled on the product page when you're browsing.
Thank you for your patience with us, EU!
PACKAGING MATERIALS – Parcel-tape, string, rubber bands, tissue paper, cardboard, all resolutely brown. At LABOUR AND WAIT we spend our days surrounded by these honest-to-goodness materials. ‘Brown paper packages tied up with string’, these are definitely some of ‘our favourite things’!
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
JUDGE WARE – Brown enamel beguiles, and these vintage Judge Ware saucepans have stood the test of time. When in situ, these pans look to have come straight out of a William Scott painting. In the past, many manufacturers of enamel chose brown as their signature colour but our favourite has always been this British staple.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
APOTHECARY JARS – There is something enticing and yet curiously circumspect about the amber glass of an old apothecary jar. Maybe it is the mysterious contents it once concealed, or a childhood memory of some foul-tasting remedy administered from a brown glass bottle. Either way, these evocative vessels always capture our imagination.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
Our man Ben meets Corinne Mynatt, author of 'Tools for Food' and the owner of all the incredible tools for food featured in our concurrent exhibitions in Shoreditch and Marylebone. Ben and Corinne talk French items in this episode.
For this year's London Design Festival we have collaborated with author Corinne Mynatt on a launch and related exhibition to mark the publication of her new book Tools for Food: The stories behind objects that influence how and what we eat.
Running from 18 – 26 September 2021, the launch will be accompanied by a display in both our Shoreditch and Marylebone shops, incorporating objects featured in the book and exhibited alongside our own kitchen tool icons. The display will be a nod to Julia Child’s kitchen, utilising the pegboard system to hang kitchen objects and tools. The book is the début publication for the Nashville-born, East London based writer, curator and creative producer.
The book’s content ranges from a 4th century Korean fermenting crock to a hyper-stylised, 21st century Italian lemon juicer, showing how each and every tool for food that has been made in part contributes to the way we eat, cook and live today. Organised by function – such as Prep & Wash, Weigh & Measure, Cut & Chop – the book features 250 of the best loved, most intriguing and indisputably iconic kitchen utensils, exploring everything from their historical relevance as a design object to their place in our homes today. Filled with little-known facts and fascinating photographs and illustrations of objects throughout, Tools for Food examines the relationship between cooking and culture in the most expansive of ways.
Tools for Food will be exclusively available during London Design Festival before it publishes on 23rd September in the UK, USA and Australia. Corinne will be present for book signing at our Shoreditch shop during the Shoreditch Design Triangle’s late night event on Tuesday 21st September. Drinks will be provided by the East London Liquor Company.
SLIPWARE – There is a certain earthiness and naivety about slipware which we are attracted to. The very technique requires an immediacy, which results in an unselfconscious decorative approach. These simple rustic pieces have a timeless quality which we greatly admire. The natural colours of the clay and slip display a range of earthy hues.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
BASKETRY – The traditional craft of the basket-maker never fails to impress. Wickerwork is an ancient technique which has evolved over millennia and is used throughout the world. Originally conceived out of a necessity to contain items, the functional aspect of basketry and the intricacy of the weave are equally appealing.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
Our man Ben, assistant manager of our shops at Labour and Wait, has a keen eye and a full brain when it comes to discerning good, timeless products. Listening to him extoll the virtues of a Guernsey sweater or a Riess enamel milk pot have become part of the fabric of walking into our shops. But with many not able to make it to Shoreditch or Marylebone either due to the pandemic or simply just living in London, we have put together some short videos on our Instagram page of Ben talking thoroughly about a product or topic, sure to beguile you!
BISCUITS – What is a cuppa without a biccie? Being unrelenting tea drinkers, we can’t imagine such a thing! From the plainest Rich Tea or the humble Digestive, to the fancier Bourbon and the even tastier chocolate Hobnob – we’ll dunk them all given half the chance. The rate of biscuit consumption at LABOUR AND WAIT risks us becoming the barrel!
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
We are excited to announce the opening of a second London shop at 48 Dorset Street in Marylebone. The new space will feature the full product roster and the same friendly faces of the team from our Redchurch Street shop.
Opening on Thursday 3rd June 2021, it also marks the 21st anniversary of our first shop in East London. Founders Simon and Rachel are very familiar with Dorset Street, having first met only a stones throw away in the late 1990s. They both admire Marylebone's distinct character and that traditional businesses like real pubs, dry cleaners and shoe repairers rub shoulders with notable restaurants and boutique hotels; not that dissimilar to how Shoreditch has developed.
The new shop is the last building in a grand red brick terrace, built around 1900, retaining the original parquet flooring and some internal tiling from a former occupant. We want the shop to feel as though it has always been there, so we have incorporated elements of the building's past into our new space.
With shops being closed for such a large part of 2020 and us all being forced to buy online, we still believe that physical shops are integral to the community: LABOUR AND WAIT was founded when the nature of retail was growing ever more impersonal and homogenous, so we aimed to offer a friendly environment that was relevant to the neighbourhood. This has remained a core principal, and we looking forward to bringing our functional, timeless products to Marylebone.
LABOUR AND WAIT
48 Dorset Street,
Marylebone, London,
W1U 7NE
Monday to Saturday – 11.00am to 6.00pm
Sunday – Closed
020 7729 6253
dorset@labourandwait.co.uk
G.P.O. JUGS – These handsome two-tone stoneware jugs have always intrigued us. For us it is a perpetual hunt for these bulbous beauties. Clearly stamped or printed with ‘G.P.O.’ on the base, they must have originally been produced for this organisation – but why, and what was their purpose? Answers on a postcard please!
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
Charlie Porter, writer and friend of Labour and Wait, is poised to release his new book, 'What Artists Wear'– a fascinating survey of modern and contemporary artists' choices of attire in the studio, in performance, at work and at play.
CERAMIC BOTTLES – Stoneware bottles were an everyday commodity in Victorian-times. These ink pots and bottles, which have been dug out of the ground from old dumps, or ‘middens’, hold our fascination. Those from the Midlands are often stamped ‘Bourne Denby’ or ‘Lovatts’; those from the South of England with ‘Doulton’. Today we tend to assume that bottles are made from glass, so these ceramic versions are a curiosity.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
It feels like an eon since shops were open before Christmas, so we are awfully pleased to see our friends Dover Street Market reopening today.
To coincide with their reopening we have revamped our space on the third floor. You'll find many of our usual suspects with a few exclusive products only found at Dover Street Market.
Opening Hours:
Monday to Saturday – 11:00am to 7:00pm
Sunday – 12:00pm to 6:00pm
Address:
18-22 Haymarket, London SW1Y 4DG
Tel:
020 7518 0680
Our Redchurch Street shop in Shoreditch reopens on Wednesday 14th April.
We will be open five days a week Wednesday to Sunday from 11.00am until 6.00pm, closed on Mondays and Tuesdays.
Customers will be limited to six at one time with masks a necessity by law as we have all become accustomed to. Hand sanitiser provided at the door.
We can’t wait to have you back in the shop!
BRUSHES – A hallmark of LABOUR AND WAIT. There seems to have been a brush designed for every task fathomable. Sadly the craft of the brush maker seems to be a dying art. Meanwhile, popularity of the humble brush appears to be on the increase; we would like to think our obsession has played a small part in this.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
BOXES – We have a strange attraction to items in boxes. Everything contained and in its place. In our eyes there is nothing more satisfying than a well-made box.We are particularly partial to the good old brown card variety. We’ve certainly packed and unpacked a fair few of these in the past 21 years!
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop. We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
LEATHERWORK – Nothing compares to the look, feel and smell of leather. We favour brown leather in all its tones, as it wears and patinates so gracefully. Items made by a skilled leatherworker are beautiful to look at and a joy to use. Each piece becomes unique to its owner, bearing the marks of wear and use, and can gently mark the passage of time.
This year’s calendar pays homage to our favourite colour; brown. We always find ourselves drawn to this colour. Its darker shades have a graphic quality like black, whilst the lighter tones have a warm and natural feel. When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could get the better of us and the result would be a completely brown shop.We regularly have to keep ourselves in check to ensure a variety of hues and colours find their way to the shop floor.
TREEN – Whether useful or purely aesthetic, small wooden objects are difficult to put down. There is something almost magical about a lovingly honed piece of wood. The way in which this natural material can be turned, carved, smoothed and polished into a tactile shape never ceases to amaze. The tones, colours and grain make every piece unique.
With the most sedulous care, our staff in the Workroom are picking, packing and posting all of your Christmas orders.
In between the cardboard boxes and gallons of tea required to undertake this mammoth task, they'd like to remind you that today is the LAST DAY of guaranteed UK Christmas delivery, so get your order in before midnight to avoid disappointment!
As we approach the big day at the end of the year, please order by 1.00pm GMT on the following dates for guaranteed Christmas delivery...
| United Kingdom | ... | 18th December |
| European Union | ... | 14th December |
| North America | ... | 12th December |
| Rest of World | ... | 8th December |
Please note that we close down for Christmas and New Year between the dates of 24th December and 2nd of January, during which time our mail order department is away. Our Redchurch Street shop reopens from the break on 2nd January, 2021.
We're very pleased to say that, thanks to our customers' response to the CRISIS AT CHRISTMAS Black Friday alternative, we will be donating £1300 this winter, to help homeless people throughout the United Kingdom.
If you want to donate or help homeless people this Christmas, visit Crisis this Christmas.
Brown paper packages, rubber stamps and the paraphernalia of the post office have an enduring appeal. This pillar of the community supports another side of LABOUR AND WAIT: our mail order service. During the busy months of November and December, we all rely on this venerable institution to make sure Christmas is delivered on time.
If you too are interested in donating separately, visit:
CRISIS AT CHRISTMAS.
As another lockdown comes in, we have reluctantly closed our Redchurch Street shop to the public once again. However– Should you live in East London or within walking or cycling distance of our 85 Redchurch Street shop, please consider using our click and collect service.
Not only will you be doing our mail order team a favour by reducing their workload, you'll also save yourself a good few quid and get a bit of exercise in the process!
What's more, orders over £200 come with a free LABOUR AND WAIT tote bag to lug all your purchased loot around.
Our Redchurch Street shop will be open for 4 hours on set days– Just select your time and day of collection and get those legs stretched. We'll be here to welcome you with open arms! Albeit at a 2 metre distance and covered in hand sanitiser.
LABOUR AND WAIT
85 Redchurch Street, London, E2 7DJ
Collection Times
Wednesday – Friday: 2.00pm to 6.00pm
Saturday – Sunday: 10.00am to 2.00pm
Monday – Tuesday: Closed
Please make a note of your order number for when you collect!
Packed to the rafters with all manner of bits and bobs, haberdashery shops are endlessly beguiling. The raw materials for many craft projects can be found here, as well as customers deep in thought... so many decisions to be made! The ultimate goal could be a simple repair, or even the realisation of a dream to create something totally unique. ‘Make do and mend’ has never seemed so appealing!
The chemist has always held a certain fascination.The dispensary has air of alchemy; a repository of all sorts of potions and lotions, suggesting that here is a cure for all ailments. The pharmacist is a master of discretion – both trusted and respected. At the first hint of a sniffle, the dispensary can prove indispensable.
We have always had a ‘thing’ for stationery. A true staple of the high street, the stationer’s can often be the catalyst for many a creative endeavour. Who can resist those pots of pencils, boxes of rubbers, and neatly ordered stacks of sketchbooks? We all remember the excitement of fresh exercise books and geometry sets at the beginning of a new school term.
When we began selecting products for LABOUR AND WAIT over twenty years ago, we soon realised that our proclivity for brown tones could result in a completely brown shop. We regularly have to keep ourselves in check and ensure a variety of hues and colours find their way to the shop floor.
In December of 2014, our calendar image caption read the following:
"The colour of the earth. A rich, dark, peat brown, evoking leather, wood and even chocolate. We always find ourselves drawn to this colour; its depth has a graphic quality like black, but with a warmer, more natural feel. We even fantasise about opening a shop where all the products are brown!"
This September we are surrendering to our weakness: London Design Festival provides us with an opportunity for a tongue-in-cheek homage to the venerable and stoic tone to which we are indebted. Offering a mixture of vintage pieces, new finds and limited edition versions of familiar stalwarts, LABOUR AND WAIT BROWN will ‘pop-up’ for nine days in September on Calvert Avenue in Shoreditch; a short walk from our Redchurch Street shop.
LABOUR AND WAIT BROWN
16c Calvert Avenue,
London, E2 7JJ
Opening:
12th - 20th September
Monday to Saturday 11.00am - 7.00pm
Sunday 11.00am - 5.00pm
The gaudy colours of a sweet shop are something of an assault on the senses! The visual ‘noise’ created by the packaging and colours of different brands is all but deafening. The neat rows of pick ‘n’ mix sweets in jars create some order amidst the chaos. The smell of a traditional sweet shop can sometimes evoke a Proustian moment!
Though not strictly speaking a shop, most people need a garage at some point. There are certain tasks where only an expert will do. The mechanics themselves are often only half visible, plunging head first into an engine or disappearing under a chassis. The distinctive aroma of fuel, oil and rubber divides opinion, but we love it!
At Labour and Wait we spend our time sourcing and developing products which will stand the test of time. We firmly believe that good quality well-designed items enhance our daily lives, and we hope that a sense of timelessness pervades all that we do.
‘British Standard’ follows a similar philosophy. Their straightforward wooden cupboards are designed and made in Suffolk using traditional methods, proving that it is still possible to find honest properly made cabinetry which will last a lifetime.
Here, British Standard’s design director, Merlin Wright, test drives his top picks from Labour and Wait in his London home.
1. BREAD KNIFE
"Made by Opinel with a wooden handle and serrated blade, which is particularly effective on crusty loaves."
2. COBWEB BRUSH
"The soft, bulbous brush and long handle enable people with high ceilings to sweep away cobwebs and dust without damaging paintwork."
3. PRESERVING JARS
"These airtight jars are perfect for storing dry goods such as flour and rice; much better than leaking plastic bags and you can see how much is left."
4. TEA INFUSER
"Loose tea tastes much better than tea bags but is fiddly and messy to use for a single cup - this infuser is simple to fill with a single scooping action and to empty after use with a flick of the wrist."
5. RE-ENGINEERED BROWN BETTY TEAPOT
"The perfect teapot, improved. This classic design is now stackable and has a removable metal strainer for easy extraction of old tea leaves."
6. BIB APRON
"In thick brown cotton with robust ties and brass eyelets, this classic apron can be used in the kitchen or workshop. This is the long version with a neck loop to protect the whole torso and has handy pockets for small tools or a recipe perhaps."
It's been quite some time since we last opened the door at 11.00am to Redchurch Street customers, so it brings us great yet trepidatious pleasure to announce that we will be reopening from TUESDAY 14TH JULY.
All of the new processes and cautiousness surrounding shops reopening after this lockdown will be heeded, and we'll be working hard to make visiting safe and as pleasurable as before.
We will return with more information closer to the date.
See you all soon!
A visit to a good fishmonger can be like a lesson in marine biology! Who knew what extraordinary creatures lived under the sea? They are fascinating (and sometimes terrifying), to contemplate.The fishmonger’s is a wet and chilly world, where rubber aprons and boots offer some protection from the icy produce.
How much more appealing to browse the shelves of a good grocer’s, than to be faced with the bland, generic interior of a supermarket. Tried and tested brands are stocked, together with a selection of local produce. The goods on offer will often have a seasonal bias, inspiring recipes and ensuring variety. A good grocer’s can make food shopping a pastime rather than a chore.
Since closing our Redchurch Street shop due to the ongoing virus crisis, your utilisation of our mail order service has kept us, the staff left able to work, busier than ever!
We are truly thankful of the continuous support by ordering with us online. However, being a small independent business with about three quarters of our staff currently 'out of office', we are somewhat slower than usual getting your orders out.
Do not fret! We're working hard, safely, separately; measuring, wrapping, taping, boxing, labelling. Your order will reach you, but it may take a handful of days rather than a couple. Please bear this in mind before calling or emailing us, as this will distract from our main task: getting your order in the post and into your home.
If you do have any questions regarding our offering and services, do feel free to pop us an email and we'll get back to you as soon as possible: orders@labourandwait.co.uk
Keep those hands washed and keep those orders a'coming!
Grow your own! A garden shop can be the gateway to horticultural heaven.The green-fingered amongst us will feel at home here, but even the enthusiastic beginner will find everything they need to bring nature that bit closer to home. From houseplants to allotments, we all need a bit more green in our lives, don’t we?
Although not to everyone’s taste, the skill of a highly trained butcher amounts to an art. In a classic striped apron and wielding a panoply of terrifying tools, a knowledgeable butcher will advise on the best cuts for specific recipes, then prepare them with finesse.
The smell of freshly baked bread is hard to beat, evoking contentment and warmth. Few can resist the lure of a good baker’s shop, with its tempting array of bread and cakes. The bakers have been hard at work for hours by the time we arrive to survey the fruits of their labour. How could we survive without our daily bread?
It may be quite apparent that those of us at LABOUR AND WAIT are ardent tea drinkers. Another notable tea drinker was George Orwell. He had very strong views on (very strong) tea, and here's his essay from the Evening Standard of 12th January, 1946, complimented with our own serving suggestions.
Thus, we fully endorse the following statement:
"If you look up 'tea' in the first cookery book that comes to hand you will probably find that it is unmentioned; or at most you will find a few lines of sketchy instructions which give no ruling on several of the most important points.
This is curious, not only because tea is one of the main stays of civilization in this country, as well as in Eire, Australia and New Zealand, but because the best manner of making it is the subject of violent disputes.
When I look through my own recipe for the perfect cup of tea, I find no fewer than eleven outstanding points. On perhaps two of them there would be pretty general agreement, but at least four others are acutely controversial. Here are my own eleven rules, every one of which I regard as golden:
First of all, one should use Indian or Ceylonese tea. China tea has virtues which are not to be despised nowadays — it is economical, and one can drink it without milk — but there is not much stimulation in it. One does not feel wiser, braver or more optimistic after drinking it. Anyone who has used that comforting phrase 'a nice cup of tea' invariably means Indian tea.
Secondly, tea should be made in small quantities — that is, in a teapot. Tea out of an urn is always tasteless, while army tea, made in a cauldron, tastes of grease and whitewash. The teapot should be made of china or earthenware. Silver or Britanniaware teapots produce inferior tea and enamel pots are worse; though curiously enough a pewter teapot (a rarity nowadays) is not so bad. 
Thirdly, the pot should be warmed beforehand. This is better done by placing it on the hob than by the usual method of swilling it out with hot water.
Fourthly, the tea should be strong. For a pot holding a quart, if you are going to fill it nearly to the brim, six heaped teaspoons would be about right. In a time of rationing, this is not an idea that can be realized on every day of the week, but I maintain that one strong cup of tea is better than twenty weak ones. All true tea lovers not only like their tea strong, but like it a little stronger with each year that passes — a fact which is recognized in the extra ration issued to old-age pensioners.
Fifthly, the tea should be put straight into the pot. No strainers, muslin bags or other devices to imprison the tea. In some countries teapots are fitted with little dangling baskets under the spout to catch the stray leaves, which are supposed to be harmful. Actually one can swallow tea-leaves in considerable quantities without ill effect, and if the tea is not loose in the pot it never infuses properly.
Sixthly, one should take the teapot to the kettle and not the other way about. The water should be actually boiling at the moment of impact, which means that one should keep it on the flame while one pours. Some people add that one should only use water that has been freshly brought to the boil, but I have never noticed that it makes any difference.
Seventhly, after making the tea, one should stir it, or better, give the pot a good shake, afterwards allowing the leaves to settle.
Eighthly, one should drink out of a good breakfast cup — that is, the cylindrical type of cup, not the flat, shallow type. The breakfast cup holds more, and with the other kind one's tea is always half cold before one has well started on it.
Ninthly, one should pour the cream off the milk before using it for tea. Milk that is too creamy always gives tea a sickly taste.
Tenthly, one should pour tea into the cup first. This is one of the most controversial points of all; indeed in every family in Britain there are probably two schools of thought on the subject. The milk-first school can bring forward some fairly strong arguments, but I maintain that my own argument is unanswerable. This is that, by putting the tea in first and stirring as one pours, one can exactly regulate the amount of milk whereas one is liable to put in too much milk if one does it the other way round.
Lastly, tea — unless one is drinking it in the Russian style — should be drunk without sugar. I know very well that I am in a minority here. But still, how can you call yourself a true tealover if you destroy the flavour of your tea by putting sugar in it? It would be equally reasonable to put in pepper or salt. Tea is meant to be bitter, just as beer is meant to be bitter. If you sweeten it, you are no longer tasting the tea, you are merely tasting the sugar; you could make a very similar drink by dissolving sugar in plain hot water.
Some people would answer that they don't like tea in itself, that they only drink it in order to be warmed and stimulated, and they need sugar to take the taste away. To those misguided people I would say: Try drinking tea without sugar for, say, a fortnight and it is very unlikely that you will ever want to ruin your tea by sweetening it again.
These are not the only controversial points to arise in connexion with tea drinking, but they are sufficient to show how subtilized the whole business has become. There is also the mysterious social etiquette surrounding the teapot (why is it considered vulgar to drink out of your saucer, for instance?) and much might be written about the subsidiary uses of tealeaves, such as telling fortunes, predicting the arrival of visitors, feeding rabbits, healing burns and sweeping the carpet. It is worth paying attention to such details as warming the pot and using water that is really boiling, so as to make quite sure of wringing out of one's ration the twenty good, strong cups of that two ounces, properly handled, ought to represent."
Looks like it's about teatime!
For Spring/Summer 2020 at Dover Street Market in London we have selected a succinct range of old favourites alongside some exclusive products just for our space in this respected department store.
The usual base of black products are accompanied by ecrus and whites, including an exclusive oversized Japanese canvas carryall.
Visit Dover Street Market here:
ADDRESS
18-22 Haymarket,
London SW1Y 4DG
OPENING HOURS
Mon – Sat: 11:00am – 7:00pm
Sun: 12:00pm – 6:00pm
Ironmonger’s and hardware shops were really the starting point for LABOUR AND WAIT. We have always been fascinated by the variety of practical goods on offer: kitchen gadgets, tools and of course brushes! This type of shop is very close to our heart with its wealth of functional products for every domestic chore.
Merry Christmas and a Happy New Year from all at Labour and Wait.
We are now closed for the Christmas period. Thank you for another year of your support and custom.
See you in 2020, our 20th anniversary year. Keep an eye on our news section for celebratory events and projects.
Our Redchurch Street shop reopens at 11.00am on 2nd January and our Workroom reopens at 11.00am on 6th January, 2020.
As we approach the big day at the end of the year, please order by 1.00pm GMT on the following dates for guaranteed Christmas delivery...
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| United Kingdom | ... | 19th December |
| European Union | ... | 17th December |
| North America | ... | 15th December |
| Rest of World | ... | 13th December |
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Please note that we close down for Christmas and New Year between the dates of 23rd December and 6th of January, during which time our mail order department is away. Our Redchurch Street shop reopens from the break on 2nd January, 2020.
We're very pleased to say that, thanks to our customers' response to the CRISIS AT CHRISTMAS Black Friday alternative, we will be donating £1000 this winter, to help homeless people throughout the United Kingdom.
If you want to donate or help homeless people this Christmas, visit Crisis this Christmas.
If you too are interested in donating separately, visit:
CRISIS AT CHRISTMAS.
This autumn marks the fifteenth anniversary of Dover Street Market. This exceptional store was conceived by Rei Kawakubo of Comme des Garçons and opened on the street which bears its name in September 2004. Soon after, we were thrilled to be invited to join the Dover Street Market family, and to curate a space offering our timeless goods.
To mark their fifteenth anniversary, Dover Street Market are holding an event called 'Monochromarket'. They have asked friends old and new to create a monochrome product that defines and celebrates their relationship with the store.
With this brief we have reinterpreted a true stalwart of LABOUR AND WAIT, our cotton canvas bib apron. In a very limited run this Monochromarket bib apron is in pitch-black canvas, with a giant screen printed Dover Street Market logo on the inside.
Find these aprons exclusively in Dover Street Market London from 29th November, 2019.
Dover Street Market London
18-22 Haymarket,
London, SW1Y 4DG
Tel: 020 7518 0680
We have worked with Lavenham of Suffolk to create a garment which demonstrates our commitment to functional products and timeless design; a set of values shared by both brands.
Lavenham takes its name from the Suffolk village in which it was founded. The company was established in 1969 when they began manufacturing the world's first nylon quilted horse rugs. They quickly expanded into outerwear and were the first brand to make and sell a quilted gilet.
A service provided by Lavenham is the supply of a foal-sized horse rug to a breeder within 24 hours of the foal being born; an important and necessary swaddling tool in the first few weeks of a horse's life.
Lavenham predominantly work with British cloth manufacturers, renowned for their durability and quality, and the same is true of the wadding they use in the quilting, which comes from the North of England and is made of 65% recycled fibres.
Our gilet is an unfussy expression of the heritage of Lavenham with the timeless utilitarian aesthetic of classic workwear.The product is practical, functional and modest – inspired by the type of garment worn by the bucolic labourer.
This unisex gilet is reversible. One side is a robust canvas with corduroy trim and large utility pockets; the other is a two inch diamond quilt with subtle patch pockets, typical of the Lavenham tradition.
Like all Lavenham garments, our gilet is proudly made in Suffolk, England.
Available to purchase on Thursday 14th November.
We are very pleased to announce that our Japanese online shop is now open for business. Please visit them here: www.labourandwait-tokyo.com
Introducing 'Fifty High Street', our new collaborative pop-up venture in Bruton, Somerset, with the team behind Hole & Corner magazine.
Within Fifty High Street you will find an evolving selection from the amplitude of our offerings, now available in south west England until Christmas 2019.
From the outset Hole & Corner has celebrated the creativity, heritage and dedication of the craftsperson. Now with Fifty High Street, they are advancing this commitment through a selection of curated objects and workshops.
Fifty High Street will be hosting demonstrations by resident makers, offering an insight into the process behind the objects, detailing their dedication and skill. This will provide an opportunity to learn from the makers, with workshops and talks within the shop and further afield around Bruton.
Fifty High Street is now open. Find us there until the end of the year.
Fifty High Street
Bruton
Somerset, BA10 0AN
www.fiftyhighstreet.com
www.holeandcorner.com
In the Tour de France of the 1940s and 1950s, competitors wouldn't be seen without a metal 'bidon', the container that riders used to carry water.
The most recognisable bidon was Coloral, a fluted alloy bottle with a cork stopper and tooled cap signed off with a scripted logo. Riders didn’t just reserve them for bottling water, but also to preserve a simple blend of milk and sugar that kept energy levels high during competitions, and even wine when celebrating victories.
An original Coloral bottle
Despite its cult status, Coloral’s production dwindled and ceased completely in the mid-1950s due to manufacturing pressures.
For London Design Festival 2019 we are celebrating the reintroduction of this handsome, timeless icon. The reengineered Coloral bottle is upgraded using brushed, food-grade stainless steel. Its robust design is lightweight and compact, and its dimensions slightly tweaked to fit modern bottle cages.
It's a perfectly satisfying vessel for those not on two wheels, too- it has been vacuum insulated to keep cold drinks cool and your hot drinks piping hot, and there’s no plastic used in the flask or its packaging.
To celebrate this classic reborn, we have worked with Coloral to produce a limited edition of 100 bottles with a red seal, and will provide a free musette style bag with every bottle purchase. These will be available for the duration of London Design Festival, alongside a small exhibition of Coloral collateral in our Redchurch Street shop.
Saturday 14th - Sunday 22nd September
Finally! For years customers have asked us whether we either stock a wall clock or if we ever will. After a long and unfruitful search, we have specified our own. Our wall clock is made by a company who specialise in clocks for industry, including schools, laboratories and swimming pools. We have worked closely with them to create this clock which, in terms of quality, harks back to their products from earlier times; a real glass lens, printed metal face, and metal hands and case. The clock of course features our favourite Gill Sans typeface.
Find it here.
We are pleased to reveal the opening of a pop-up LABOUR AND WAIT space within the Bermondsey premises of respected architectural salvage company LASSCO. A short walk from London Bridge and the ambrosial Bermondsey Street, the space is set within a railway arch and opens onto The Ropewalk, a narrow Victorian thoroughfare beside the railway.
The Ropewalk is named in reference to eighteenth century eccentric Robert Rich, who made rope in the area, and the passage was marked thus on John Roques' map of 1746. 
Since 2010, the Ropewalk has become the venue for a lively and popular weekend food market, with vendors selling their produce from stalls along its length, and includes a handful of restaurants and bars within the railway arches. Equally as beguiling to us, there's even a timber yard, so we certainly feel at home!
We at LABOUR AND WAIT have always felt an affinity to the vibrant atmosphere created around a market; our very first shop being situated in the heart of Brick Lane.
Our pop up space showcases a selection of our quality, functional products, alongside the quirky and interesting salvage of LASSCO.
Lassco, Ropewalk
37 Maltby Street,
Bermondsey,
London, SE1 3PA
OPENING HOURS
Weekdays:
9.00am – 5.00pm
Saturday:
10.00am – 5.00pm
Sunday:
11.00am – 5.00pm
CONTACT
020 7394 8061
We're very pleased to announce a new selection of specials for our Dover Street Market spaces in London and New York.
You'll find our traditional Guernsey sweater in black for the first time, alongside a black leather tool case, black felt coaster and placemat, black indoor watering can, black cotton drill pinafore dress and black hurricane lamp. We're also pleased to announce a very welcome return to our classic Folio Bag in, you guessed it! Black canvas.
These specials are available on Friday 12th July exclusively in Dover Street Market London and New York (pinafore only available in London).
In what will be our twentieth year, the LABOUR AND WAIT calendar is a clarion call for the salvation of traditional high street shops and services. These unpretentious businesses were the original inspiration behind LABOUR AND WAIT, where quality goods are for sale, and interaction with the shopkeeper is a part of the retail experience.
As the months progress, our 2020 calendar is a tribute to these shops, their owners and to the wealth of products and expertise they offer. We hope that small independents can somehow weather the storm to reclaim their rightful place as pillars of their local communities.
Our 2020 calendar is available to purchase now, and will be posted out in July. In the meantime, here are some behind the scenes images of the making of 'Shop Talk':
We are extremely pleased to show off one of our latest products, this recycled coffee grounds reusable cup. 
Following the familiar paper/plastic form usually found discarded and in an untenable abundance, this cup is made from coffee grounds collected from local coffee shops in Berlin. The grounds are compressed and combined with a natural and biodegradable polymer to create this eco-friendly cup, which has quickly become the conscientious commuter companion of many staff at Labour and Wait.
This cup is available to purchase from our shop at 85 Redchurch Street in Shoreditch and online.
Here's to a good, responsible brew!!
Out in the Pacific Northwest, there are some of our bib aprons working very hard for the premier cocktail company in Portland, Public Provisions.
Founded by Melaney Schmidt and Malia Myers, Public Provisions provide beautiful and culinary-driven cocktails for special events. Their menus are driven by the seasons and integrate ingredients that highlight the distinct flavours of this part of the world.
But why choose aprons from 5,000 miles away?
"We love these aprons because their look is striking but also understated and professional. When the guests and clients we serve notice the apron, we know they're taking note of all of our intentional details including our choice in workwear. The aprons are durable and well-constructed, perfectly holding up to the demands of bartending whether we're inside serving a seated dinner of 60 or outside in a forest, serving a wedding party of 300.
"When working, we are usually building stunning, complex cocktails that require many steps to complete, and we are repeatedly reaching for tools and ingredients within a small 3 foot radius. This type of dance behind a bar requires us to be able to move swiftly. The construction of the apron is conducive to that mobility while also maintaining its constructed integrity, a perfect balance for our needs. That said, our choice in apron hardly ever goes unnoticed and we always enthusiastically refer inquisitors to Labour and Wait!"
Follow Public Provisions on Instagram: @publicprovisions
Public Provisions
www.publicprovisions.com
Hoxton Street Monster Supplies is a non-profit organisation, where proceeds are donated to the 'Ministry of Stories', a writing and mentoring charity based in East London for those aged between eight and 18. Through a variety of programmes, the Ministry of Stories help children find and realise their creative potential.
This shop is strictly for monsters, so visits by humans can be risky business. There's an invisible cat that could trip you up, and various options of tinned fear stacked frightfully high. Such names as Zadie Smith and Charlie Higson helped select some of the finest tinned fear you'll find on the market.
To avoid any mishaps and keep customers safe, there are helpful staff on hand, wearing our bib aprons to keep them clean, should there be any unfortunate accidents.
On the aprons, Monster Supplies say that "when we opened we looked around for a stylish and sturdy shopkeeper apron that could handle occasional spillages, for example when customers paid by human sacrifice, and could clean up easily. The council eventually cracked down on alternative payment methods and we've found tidier ways to serve up AB and Type O+ that don't lead to as many mishaps, but we have kept the aprons because we love them. Please consider making these in XXXXXXXXXL as our monster customers would love to purchase!"
Hoxton Street Monster Supplies
159 Hoxton Street,
London, N1 6PJ
www.monstersupplies.org
Instagram: @monstersupplies
All photographs by David Rowswell
Melody Park is a fine artist and children's book illustrator based in Seoul, South Korea, who is no stranger to our bib apron...
"If I remember right, I bought the apron in the Labour and Wait London shop in 2013. At that time I did all the long legwork of buying the perfect working clothes for me, and I found it in Shoreditch Labour and Wait shop. When I found the shop and the green tiles, I felt intuitively I could buy something here.
"After 2013, my studio location has moved from Kingston, Glasgow, Nürnberg and to Seoul now. I have always worn the apron in the studio, whichever the city. The apron is perfectly made with width, depth and height so I can wear it tightly, with a good feeling. This is very important, because when I paint I move rapidly and energetically. The apron is a very suitable working clothes for me as a painter."
Follow Melody Park on Instagram: @melodypark_
https://www.melodypark.london
Andrew Moran has been the LABOUR AND WAIT photographer since the company was founded in 2000. In this role, he has taken the still life shots for the company’s calendars for the years 2012 -2018. For Photo London, the annual photography event in the capital, he presents an edited selection of these timeless images in book form.
The resulting slim volume forms part of a series of photographic journals published by the Silverhill Press, a small independent publisher based in Hastings.
These books are available exclusively at our Dover Street Market London space for a limited time, alongside a small selection of reproduced images to view.
Photo London runs from 16th to the 19th of May, 2019.
ADDRESS
Dover Street Market London
18-22 Haymarket,
London SW1Y 4DG
OPENING HOURS
Mon – Sat: 11:00am – 7:00pm
Sun: 12:00pm – 6:00pm
See more of Andrew's work on his website: https://amoranblog.wordpress.com
Established in 2005 by Oliver Shute, The Wild Fork is an event bar and kitchen based in rural West Berkshire.
"We specialise in creative, contemporary food and providing a bespoke service for all occasions in locations across the United Kingdom, from treasured Grade 1 listed buildings to historic castles, garden marquee weddings, boardrooms, shoot lodges and pop-up restaurants."
"These hard-working brown canvas aprons, a Labour and Wait classic, have become an essential work wear favourite at The Wild Fork. Desirable but practical, robust and comfortable, we haven’t found a better performing apron for our waiting staff and bartenders. Our head chef has also claimed one of his own for the kitchen. And the classic, vintage style always catches the eyes of our guests. Who knew wearing an apron could give so much pleasure! They’ll be out in force at our Waterfront Enclosure during Henley Royal Regatta this summer."
Follow The Wild Fork's food stories on Instagram: @thewildfork01
Images by Jamie Dunn Photography
Darcy's Kaffe is a recently opened coffee shop in Copenhagen, Denmark.
"I started back in November, doing pop ups and events and then moving into a basement in Nørrebro just as the weather got too cold. My friend Jacques, who started Ofr Copenhagen (the original shop is in Paris) moved in with me in December with his beautiful selection of books, magazines and art and together we are slowly developing something special."
"My girlfriend, Scarlett, who is an architect and has her studio based in a room at the back of the shop, bought me my Labour and Wait apron as a congratulation/good luck present for opening my own place, and I have worn it with pride every day since (literally - I’m open every day at the moment!) I find the pockets useful for pens, matches, bits of coffee kit and receipts, and the size is perfect for a busy day making drinks and food."
"I look forward to many more days behind my espresso machine and seeing how the apron ages over time."
We look forward to seeing it, too!
Follow Darcy's Kaffe on Instagram: @darcyskaffe
Darcy's Kaffe
Blågårdsgade 49
2200 København
Denmark
darcyskaffe.business.site
Follow Jack and the project on instagram: @lordlowe
General Store is a neighbourhood grocery shop in Peckham, South London, who sell cheese, bread, coffee, wine, beer, seasonal fruit and vegetables, and lots of store cupboard essentials.
Image from Monocle Magazine, 2013
They are truly a shop after our own heart here at Labour and Wait, sharing not just aesthetic cues, but attitudinal ones too; they work with producers and suppliers who focus on the quality, integrity and provenance of their produce.
We're also very pleased to say that not only are our aprons worn at General Store, but they sell them, too!
Follow General Store on Instagram @general_store
General Store
172 Bellenden Road,
Peckham, SE15 1BW
www.generalsto.re
Monmouth Coffee Company started roasting and retailing coffee from 27 Monmouth Street, Covent Garden, in 1978. For thirty years they roasted their coffee in their basement (a production location we’re all too familiar with here at Labour and Wait!) but since 2007 they have larger facilities in Bermondsey to accommodate production for their now two shops, the other being at 2 Park Street, next to Borough Market.
Photograph by Trent McMinn
Sourcing and roasting coffee from single farms, estates and cooperatives is important to Monmouth Coffee, and allows them to establish strong relationships with the growers and exporters to ensure quality and fairness.
Photograph by Trent McMinn
Monmouth were the first adopters of the Labour and Wait apron, outside of our own shop. Many customers came to us after the staff at Monmouth had kindly told them where the aprons were from. As Monmouth Coffee Company are leaders in their field, this is an association of which we are very proud. In the early days, the aprons weren’t even labelled, so we relied totally on word of mouth recommendations like this!
Monmouth Coffee Company
27 Monmouth Street,
Covent Garden,
London, WC2H 9EU
www.monmouthcoffee.co.uk
Labour and Wait on Cheshire Street, 2002
Our canvas aprons have become a Labour and Wait classic. We made the prototypes ourselves, as staff uniform, in the basement of our original shop on Cheshire Street in 2000. Soon customers were wanting to buy them, so we found a factory in the UK and started production.
A classic Cheshire Street sight, 2005
Cheshire Street, 2006
Our aprons were inspired by traditional shop coats worn in ironmongers and warehouses, the likes of which ceased being produced many years ago. Since inception our aprons have been often imitated but never quite equalled. They are made from robust and hardwearing cotton duck fabric, with brass eyelets and herringbone tape ties.
Redchurch Street 2016, by Alun Calender
As standard, we only offer our aprons in one colour; a stoic, trusty brown. However, over the years we have partnered with others to give a different spin on our aprons. In 2014 we worked with Monocle magazine to produce a special limited run of dark olive aprons with ecru tape and gunmetal eyelets; and in 2017 we jointly produced a denim apron with Blackhorse Lane Ateliers in Walthamstow, which referenced jeans heritage by using copper hardware instead of brass.
Limited edition Monocle apron, 2014
The Tokyo shop team, extolling the virtues of our aprons! 2017
From these humble beginnings, we now supply the classic brown apron to restaurants, coffee shops, artists and craftspeople worldwide. To celebrate our aprons and their users, throughout 2019 we will be featuring a variety of apron wearers in our series 'Covered'.
Redchurch Street, 2010
For London Fashion Week we have produced our Fisherman’s Smock in black. It will be exclusively available at Dover Street Market London from Friday 15th February, and available at Labour and Wait from March.
This classic item of workwear has been an essential outer layer for British fishermen for over a century. It’s practical and utilitarian nature makes it equally popular with artists and craftspeople. Our smock is made in England and from 100% cotton canvas.
You can find out more about the history of the Fisherman's Smock here.
With a new and exclusive petrol blue colour on offer, we felt it was time to give a little back story to our Welsh tapestry blankets....
We work with one of the last remaining working woollen mills in West Wales which has a history dating back over 125 years. For the past 35 years it has been run by Mike and his family. And Mike is the best man to tell us about his tools and processes:
We have sold these beautiful blankets for many years at Labour and Wait. We source vintage and antique blankets from all over Wales, and we never fail to be astounded by the brightness and variety of the colours. However, as their popularity has increased, so has their price, and it becomes harder to find the spotless - and the mothless - examples we are looking to sell. So we were very pleased to work with Mike and his mill producing high quality modern versions.
At the moment we sell the blanket in red, natural, gold, green and petrol blue; with a orange pattern in the works, which remain exclusive colourways to Labour and Wait.
“The cone of red yarn is a sample of dyed yarn used to make our Welsh tapestry bedspreads. It is a blend of 100% pure new English wools spun specially for us by a long established firm in Huddersfield. It is then sent onto Bradford where it is dip-dyed using well established traditional methods.”
“The natural yarns used in our tapestries are from Wales and are, of course, the natural colour of the fleece with no dyeing involved.”
“Did you know that 7 miles of yarn is required to make 1 double size bedspread, and in doing so the threads will cross over each other 5.3 million times. WOW.”
WOW indeed, Mike. It sounds like a lot of work, but at least we have something wonderful to show for it.
Our thanks go to Mike for showing us the mill, and for revealing the intricacies of the Welsh tapestry blanket.
Every six months, Dover Street Market perform their 'Tachigari' metamorphosis, where they close down for a few days, and each resident in their Haymarket space transforms into the new season's collection. 'Tachigari' means 'beginning' in Japanese, the process of changing to the new season.
Here is our new selection for the first half of 2019.
With the most sedulous care, our staff in the Workroom are picking, packing and posting all of your Christmas orders.
In between the cardboard boxes and gallons of tea required to undertake this mammoth task, they'd like to remind you that today is the LAST DAY of guaranteed UK Christmas delivery, so get your order in before midnight to avoid disappointment!
The traditional ‘Zori’, are sandals with a Tatami sole. This type of Japanese footwear allows free flow of air around the foot. What a contrast with a pair of British slippers, whose very purpose is to insulate! Climate differences have certainly made themselves felt in the respective design of indoor footwear.
We're very pleased to say that, thanks to our customers' response to the CRISIS AT CHRISTMAS Black Friday alternative, we will be donating £800 this winter, to help homeless people throughout the United Kingdom.
On Friday the 23rd of November, instead of discounts and special offers, LABOUR AND WAIT will donate 10% of shop and online sales to CRISIS AT CHRISTMAS, in an effort to help homeless people throughout the United Kingdom this winter.
For the impending festive period, we were asked if we would like to take part in an advertising campaign to help promote local and independent shops of the high street by Visa. For such a conscionable and 'close to home' cause, how could we say no?
Find our involvement below, amongst a panoply of fellow independent retailers of repute.
Read more about the campaign here.
The traditional enamel saucepan is of a type we might remember from our grandparents’ kitchen. British saucepans, with their distinct long handle, are little altered. The Japanese example, with its hand-beaten surface and untreated wooden handle, shows an appreciation for craft and the aesthetic of the handmade.
We are proud to introduce our new Fisherman's Smock. This venerable piece of workwear has been an essential outer layer for British fishermen for over a century, but it has also been popular with painters, sculptors, potters, craftsmen… and shopkeepers! So what is it and why do we like it?
The fisherman’s smock is a classic example of functional, utilitarian clothing. The Folkestone fisherman pictured above is wearing the traditional pocketless version. Smocks were originally cut from sailcloth, making this garment a strong and sturdy extra layer. This kept the wearer warm and dry, protected his woollen jumper, and was comfortable and easy to work in. The slightly shortened sleeves prevented the cuffs getting wet - a feature also seen on Guernsey jumpers and Breton shirts - while the tight fit and high neck ensured maximum protection from the elements.
By 1910, the heyday of the herring industry, smocks were being supplied to fishing communities throughout Great Britain. But it wasn’t just a uniform for fishermen to work in - the practical, utilitarian nature of the fisherman’s smock meant it was adopted by many artists and artisans.
The cheap, tough, easy to find smocks provided the perfect protection for artists as well as sailors. Here, sculptor Barbara Hepworth wears a smock as she sketches. In the early decades of the twentieth century, St. Ives in Cornwall became a popular destination for artists. We can well imagine they were inspired by the clothing worn by local mariners, such as this rather motley bunch from along the coast in Mousehole, whose white smocks betray their sailcloth origins.
In keeping with these origins, our smocks are also made from sailcloth fabric, which washes and ages beautifully, very much like good denim. The only alteration we have made to the original are longer sleeves and a triple patch pocket.
Whether for sailor or sculptor, the fisherman’s smock remains a functional and timeless garment.
Pictures from the National Maritime Museum Archive and the Pentreath Photographic Archives. Photograph of Eli Farrow the fisherman by Walter Clutterbuck, from the Norfolk County Council Library.
The German enamel ladle, with its utilitarian form and mottled decoration, contrasts with the Japanese, made from the surprising material choice of wood. The enamel ladle is almost exclusively for food, whereas the wooden ladle can be found at the entrance to tea gardens for the washing of hands.
Cauldon Ceramics of Staffordshire maintain the tradition of red ware manufacturing and are the oldest remaining maker of the Brown Betty teapot. Together with designer Ian McIntyre they present this re-engineered edition. It includes the reintroduction of innovative precedents in the history of the pot: Alcock, Lindley and Bloore's 1920's patented 'locking lid' and 'non-drip spout' have been applied. A subtle tweak to the foot and neck of the pot now allows the lid to be inverted into the body, enabling it to be stored efficiently in the factory and stacked in cafes and restaurants. The new addition of a loose-leaf tea basket has also been added.
Great care has been taken to respect the traditions of the Brown Betty, whilst implementing new production processes and design details. To re-style the pot, the designer felt, would have been a disservice to the years of refinement that have gone before. This latest edition is intended to promote the legacy and value of this everyday object that has transcended fashions and trends to become a reliable and dependable tool for millions around the world.
The Re-Engineered Brown Betty Teapot is available to purchase on Saturday 15th September from our Redchurch Street shop and online later this Autumn.