13 February, 2019
For London Fashion Week we have produced our Fisherman’s Smock in black. It will be exclusively available at Dover Street Market London from Friday 15th February, and available at Labour and Wait from March.
This classic item of workwear has been an essential outer layer for British fishermen for over a century. It’s practical and utilitarian nature makes it equally popular with artists and craftspeople. Our smock is made in England and from 100% cotton canvas.
You can find out more about the history of the Fisherman's Smock here.
15 January, 2019
With a new and exclusive petrol blue colour on offer, we felt it was time to give a little back story to our Welsh tapestry blankets....We work with one of the last remaining working woollen mills in West Wales which has a history dating back over 125 years. For the past 35 years it has been run by Mike and his family. And Mike is the best man to tell us about his tools and processes:
We have sold these beautiful blankets for many years at Labour and Wait. We source vintage and antique blankets from all over Wales, and we never fail to be astounded by the brightness and variety of the colours. However, as their popularity has increased, so has their price, and it becomes harder to find the spotless - and the mothless - examples we are looking to sell. So we were very pleased to work with Mike and his mill producing high quality modern versions.
At the moment we sell the blanket in red, natural, gold, green and petrol blue; with a orange pattern in the works, which remain exclusive colourways to Labour and Wait.
“The cone of red yarn is a sample of dyed yarn used to make our Welsh tapestry bedspreads. It is a blend of 100% pure new English wools spun specially for us by a long established firm in Huddersfield. It is then sent onto Bradford where it is dip-dyed using well established traditional methods.”
“The natural yarns used in our tapestries are from Wales and are, of course, the natural colour of the fleece with no dyeing involved.”
“Did you know that 7 miles of yarn is required to make 1 double size bedspread, and in doing so the threads will cross over each other 5.3 million times. WOW.”
WOW indeed, Mike. It sounds like a lot of work, but at least we have something wonderful to show for it.
Our thanks go to Mike for showing us the mill, and for revealing the intricacies of the Welsh tapestry blanket.
15 January, 2019
Every six months, Dover Street Market perform their 'Tachigari' metamorphosis, where they close down for a few days, and each resident in their Haymarket space transforms into the new season's collection. 'Tachigari' means 'beginning' in Japanese, the process of changing to the new season.
Here is our new selection for the first half of 2019.
18 December, 2018
With the most sedulous care, our staff in the Workroom are picking, packing and posting all of your Christmas orders.
In between the cardboard boxes and gallons of tea required to undertake this mammoth task, they'd like to remind you that today is the LAST DAY of guaranteed UK Christmas delivery, so get your order in before midnight to avoid disappointment!
01 December, 2018
The traditional ‘Zori’, are sandals with a Tatami sole. This type of Japanese footwear allows free flow of air around the foot. What a contrast with a pair of British slippers, whose very purpose is to insulate! Climate differences have certainly made themselves felt in the respective design of indoor footwear.
27 November, 2018
23 November, 2018
08 November, 2018
For the impending festive period, we were asked if we would like to take part in an advertising campaign to help promote local and independent shops of the high street by Visa. For such a conscionable and 'close to home' cause, how could we say no?
Find our involvement below, amongst a panoply of fellow independent retailers of repute.
Read more about the campaign here.
01 November, 2018
The traditional enamel saucepan is of a type we might remember from our grandparents’ kitchen. British saucepans, with their distinct long handle, are little altered. The Japanese example, with its hand-beaten surface and untreated wooden handle, shows an appreciation for craft and the aesthetic of the handmade.
15 October, 2018
We are proud to introduce our new Fisherman's Smock. This venerable piece of workwear has been an essential outer layer for British fishermen for over a century, but it has also been popular with painters, sculptors, potters, craftsmen… and shopkeepers! So what is it and why do we like it?
The fisherman’s smock is a classic example of functional, utilitarian clothing. The Folkestone fisherman pictured above is wearing the traditional pocketless version. Smocks were originally cut from sailcloth, making this garment a strong and sturdy extra layer. This kept the wearer warm and dry, protected his woollen jumper, and was comfortable and easy to work in. The slightly shortened sleeves prevented the cuffs getting wet - a feature also seen on Guernsey jumpers and Breton shirts - while the tight fit and high neck ensured maximum protection from the elements.
By 1910, the heyday of the herring industry, smocks were being supplied to fishing communities throughout Great Britain. But it wasn’t just a uniform for fishermen to work in - the practical, utilitarian nature of the fisherman’s smock meant it was adopted by many artists and artisans.
The cheap, tough, easy to find smocks provided the perfect protection for artists as well as sailors. Here, sculptor Barbara Hepworth wears a smock as she sketches. In the early decades of the twentieth century, St. Ives in Cornwall became a popular destination for artists. We can well imagine they were inspired by the clothing worn by local mariners, such as this rather motley bunch from along the coast in Mousehole, whose white smocks betray their sailcloth origins.
In-keeping with these origins, our smocks are also made from sailcloth fabric, which washes and ages beautifully, very much like good denim. The only alteration we have made to the original are longer sleeves and a triple patch pocket.
Whether for sailor or sculptor, the fisherman’s smock remains a functional and timeless garment.
Pictures from the National Maritime Museum Archive and the Pentreath Photographic Archives. Photograph of Eli Farrow the fisherman by Walter Clutterbuck, from the Norfolk County Council Library.
01 October, 2018
The German enamel ladle, with its utilitarian form and mottled decoration, contrasts with the Japanese, made from the surprising material choice of wood. The enamel ladle is almost exclusively for food, whereas the wooden ladle can be found at the entrance to tea gardens for the washing of hands.
11 September, 2018
Cauldon Ceramics of Staffordshire maintain the tradition of red ware manufacturing and are the oldest remaining maker of the Brown Betty teapot. Together with designer Ian McIntyre they present this re-engineered edition. It includes the reintroduction of innovative precedents in the history of the pot: Alcock, Lindley and Bloore's 1920's patented 'locking lid' and 'non-drip spout' have been applied. A subtle tweak to the foot and neck of the pot now allows the lid to be inverted into the body, enabling it to be stored efficiently in the factory and stacked in cafes and restaurants. The new addition of a loose-leaf tea basket has also been added.Great care has been taken to respect the traditions of the Brown Betty, whilst implementing new production processes and design details. To re-style the pot, the designer felt, would have been a disservice to the years of refinement that have gone before. This latest edition is intended to promote the legacy and value of this everyday object that has transcended fashions and trends to become a reliable and dependable tool for millions around the world.The Re-Engineered Brown Betty Teapot is available to purchase on Saturday 15th September from our Redchurch Street shop and online later this Autumn.
09 September, 2018
The combination of the Rockingham glaze and the red clay was and still is fundamental to the success of the Brown Betty, prolonging the life of the object for its owner and, subsequently, through history.The Staffordshire clay used to make a Brown Betty was first refined in 1693 by Dutch brothers John Philip Elers and David Elers. The brothers emulated the fashionable and expensive Yixing teapots which had originally been imported from China by the Dutch East India Company. The refinement of the local red clay gave rise to a new era of technological experiment in Staffordshire, becoming a catalyst for the industrialisation of the six towns that now make up Stoke-on-Trent.
06 September, 2018
The process of design of the Brown Betty spans centuries. There is no single identifiable author and no single definitive version of the pot: it is an anonymous and evolved object. Over the years, Brown Betty has been through the hands of numerous makers, each producing their own interpretation, subtly refining and amalgamating new and original design details. The resulting teapot is a rational object stripped of anything superfluous to its function or production.
Although there is no definitive version, the manufacturers Alcock, Lindley and Bloore were responsible for cementing the archetypal features of the pot as we know them today. Some of the most recognisable features of the Brown Betty were combined during their production: the globe shape of their pot that is so efficient at infusing loose leaf tea, the roughly cut spout that breaks the flow of water, preventing tea from dribbling back down the outside of the pot, and the Rockingham glaze that concealed any dribbles that did, despite efforts, escape.
02 September, 2018
Brown Betty describes a type of teapot with common characteristics of red Etruria Marl clay, a transparent or dark brown Rockingham glaze and a familiar portly body. The ritual of tea drinking has remained largely unchanged for centuries. All over the world people choose a teapot as their preferred apparatus and the humble Brown Betty is often heralded as the archetypal example.
The popularity of the pot is proven in the quantity in which it has been made. By 1926 the Staffordshire pottery industry was making approximately half a million Brown Betty teapots a week. Despite this, surprisingly little is known about the object itself or its early history and design development. This affordable, utilitarian and unpretentious object has largely gone unnoticed, disappearing into the fabric of everyday life.
01 September, 2018
The Japanese jug demonstrates the preference for a matt surface glaze. It has no handle- it is simply grasped. Though not actually hand thrown, this jug clearly has many attributes of a craft object. Paradoxically, the British ‘Denby' jug is in fact handmade, but strives to achieve the uniformity of mass production.
30 August, 2018
For London Design Festival 2018, Labour and Wait is excited to present the Re-engineered Brown Betty Teapot. The new teapot is the result of a three year research and development project by ceramic designer Ian McIntyre.
Ian has worked closely with Cauldon Ceramics of Staffordshire, the oldest remaining maker of the traditional Brown Betty teapot, to bring his vision to life. New production processes have been implemented and past innovations such as the ‘locking lid’, and ‘non-drip spout’ have been reintroduced.
The teapot incorporates a removable metal strainer for loose-leaf tea, whilst subtle adjustments to the foot and neck, enable the teapots to be stacked efficiently in the factory and subsequently in cafes and restaurants.
This re-engineered teapot retains the best features from the classic Brown Betty, and by virtue of its refinements, brings this everyday archetype up to a new standard of discreet functionalism.
The new teapot will be available for purchase in the shop from Saturday 15th September, and online later this Autumn.
London Design Festival runs from Saturday the 15th, until Sunday the 23rd of September. Ian will be on hand throughout Thursday 20th September, should you wish to meet the maker and discuss his creation.
Teapot image by Milo Reid
01 August, 2018
A balloon whisk in stainless steel contrasts with the exquisite delicacy of a Japanese tea whisk. The Japanese ‘Chasen’ is used to mix green matcha powder with hot water, and is an essential element of the traditional tea ceremony. The ubiquitous Western balloon whisk does not carry connotations of refinement and formality.
01 July, 2018
Two traditional lunch boxes. The marbled enamel example is from France, where lunch boxes of this type were used by labourers and schoolchildren alike. The interior reveals a small, lift out tray for bread. The circular box in Japanese cedar likewise has a removable inner tray. Its smooth flawless finish makes it a joy to handle.
01 June, 2018
This simple Japanese ‘Yunomi’ is an everyday cup for tea drinking. Sensibilities towards crockery can differ between East and West. The Western ceramic traditions tends to favour smooth, shiny surfaces. In Japan, uneven, often matt textured surfaces are not uncommon. The classic British ‘Berylware’ cup and saucer reminds us of summer fetes and vicarage tea parties!
01 May, 2018
These paintbrushes, though superficially similar, are constructed in quite different ways. Is it just familiarity with the Western example that makes the Japanese brush so interesting? The single piece handle divides to grip the bristles tightly and has an undeniably Eastern line.
01 April, 2018
The ‘Tawashi’ scourer is made from Hemp Palm fibres bundled together around a wire core. Highly tactile objects, these scourers are still commonly used in Japan. In Western kitchens, the knitted, metallic scourer is a more familiar sight. Seen here out of context, each scourer assumes characteristics of a surrealist art object.
01 March, 2018
These two caddies are similar in form, but on different scales. Since the 1930s, Cornishware has been instantly recognisable in Britain, with its coloured stripes evoking the sea and skies of Cornwall. The size of this caddy makes it a perfect container for tea bags. Meanwhile, the traditional Japanese example is used for loose tea. It is handmade from raw tin and is intended to develop a weathered patina with use. Also shown is the copper scoop, which normally lives inside the caddy.
28 February, 2018
Introducing the E2 jean, exclusive to Labour and Wait.
Specified by us and manufactured in Walthamstow, London, these jeans are cut in a relaxed heritage fit, with a straight leg.
They are made from 14.5oz selvedge denim, with great attention paid to the detailing and construction. This includes hidden rivets, a reinforced back pocket and a patch made from our iconic canvas apron fabric.
Our jean is suitable for both men and women.
01 February, 2018
Here we find two opposite approaches: The Japanese saw cuts on the pull stroke whereas the traditional Western saw cuts as you push. The different methods have evolved because of the types of wood they were required to cut. The refined Japanese saw works well on a soft wood like cedar; the more robust European saw tackles harder woods such as oak.
01 January, 2018
Tea is considered a national drink in both Japan and Britain. The aesthetic of both teapots is redolent of their culture. The traditional Brown Betty is a common sight on many British breakfast tables. This classic round teapot, made from the red clay found in Staffordshire, is considered the ideal shape for producing the perfect cuppa. In Japan, the iron ‘Tetsubin’ teapot is favoured for both heating and brewing, partly because the iron changes the taste of the water, making the tea mellow and sweet.
31 December, 2017
Now that our 2018 Calendar is sold out, we will be sharing each monthly image on our blog throughout the year.
For this calendar we are comparing domestic items from the Eastern and Western worlds. Whenever we visit Japan, we are fascinated by the way in which our different cultures approach similar tasks, and the way in which generic products have evolved in consequence. Our choice of calendar subjects is unashamedly esoteric, but we hope you will enjoy a very personal appreciation of the singularities of East and West.
01 December, 2017
01 November, 2017
01 October, 2017
01 September, 2017
01 August, 2017
01 July, 2017
01 June, 2017
01 May, 2017
20 April, 2017
Our first shop on Cheshire Street was fitted out with a set of vintage enamel industrial lampshades, which we had found at an antiques fair. Customers would always ask to buy them, so we decided to put them into production. These iconic factory style shades quickly became one of our best selling lines. That was around fifteen years ago!
Although there are now numerous industrial type shades available, we feel our high quality enameled steel shades offer amazing value and are still the pick of the crop.
We also sell a range of twisted fabric covered flex and metal bulb holders which complete the look.
01 April, 2017
29 March, 2017
Labour and Wait is delighted to collaborate with The Gentle Author to present a Spitalfields Life Bookshop for 10 days at our Bethnal Green Workroom. This will be a rare chance to take a look at all Spitalfields Life Books titles in one place and have a peek behind the scenes at Labour and Wait.
The bookshop will be open between 11am and 6pm everyday from Wednesday 26th April until Saturday 6th May, except for Sunday 30th April.
On Tuesday 25th April at 7:00pm, we shall be launching the latest title from Spitalfields Life Books, A HOXTON CHILDHOOD & THE YEARS AFTER by A.S. JASPER and we hope you will join us in a celebration. There will be drinks and readings from the work of A.S. JASPER, as well as some live music entertainment from fiddler Dan Mayfield and singing by Henrietta Keeper.
Click here for ticket availability.
A.S. JASPER’S tender memoir of growing up in the East End before the First World War, A HOXTON CHILDHOOD, was immediately acclaimed as a classic in 1969 when it was described by the Observer as ‘Zola without all the trimmings.’
In this definitive new edition, it is accompanied by the first publication of the sequel detailing the author’s struggles and eventual triumph in the cabinet-making trade, THE YEARS AFTER. Illustrated with line drawings by James Boswell and Joe McLaren.
Ticket holders will be entitled to a £5 discount on A HOXTON CHILDHOOD & THE YEARS AFTER during the event.
Labour and Wait Workroom
30 The Oval, London, E2 9DT
01 March, 2017
02 February, 2017
We are very excited to announce the opening of our Labour and Wait shop in Tokyo. We have enjoyed a longstanding association with Japan over many years, and have several concessions there in different cities. We are always impressed by the level of interest and product knowledge of Japanese customers, who really seem to appreciate the detail, and share our enthusiasm for timeless functional items.
The opening this week represents an exciting opportunity for us to bring the complete Labour and Wait story to Tokyo. The new shop is situated in an area called Sendagaya, just a short walk from Harajuku station. The area has a definite ‘neighbourhood’ feeling, much like that which we experienced when we first started in Shoreditch seventeen years ago.
We are indebted to our colleagues in Japan for making our vision a reality, and are looking forward to the next chapter of our story.
Labour and Wait Tokyo
1-1-12 Jingumae Shibuyaka,
Opening hours: 12pm - 8pm
01 February, 2017
01 January, 2017
27 December, 2016
There are certain objects with which we find ourselves endlessly fascinated. Our mutual admiration of these, helped form the basis for LABOUR AND WAIT, and in many instances feature in our product assortment to this day. Just what is it that makes these objects so appealing to us? Why do they capture our imagination in such a powerful way? For our 2017 calendar, we are exploring these questions further.
Throughout the year we will be sharing each monthly image and accompanying text.
08 June, 2016
We have always felt an affinity with workwear as it is a perfect expression of utilitarian aesthetics. One of the most timeless staples of the modern wardrobe derived from workwear is undoubtedly the denim jean. From the pioneering frontier Americans of the 1800s pushing west following the gold rush, to James Dean making them ‘cool’ in the 1950s, denim jeans have an unmatched, redoubtable reputation in the world of trousers, being both sturdy and reliable.
Here at LABOUR AND WAIT we have always appreciated the hard-working denim jean, and we have at last found some that exemplify our values. Blackhorse Lane Ateliers was founded in 2016, with the intention of creating authentic, premium quality selvedge denim jeans manufactured in Walthamstow, London. We are proud to say that we are their very first stockist.
Blackhorse Lane Ateliers was founded by Han Ates, a veteran of the East London clothing and textile manufacturing industry; and Toby Clark, a recognised and highly-regarded designer. They strive to create a business that connects nature to industry and which invests into the local community with an eye for sustainability and ‘the long game’.
Han and Toby are keen to promote close relationships with like-minded, creative individuals in the neighbourhood. To this end they have created studio spaces within their 1920s factory building for individual makers who share their vision. This encourages collaboration across different disciplines such as leather working, weaving and dyeing, similar to the approach of the Bauhaus.
The jeans we have chosen from Blackhorse Lane Ateliers are made from responsibly sourced 14oz raw denim with a red selvedge edge. The fit is a straight leg, relaxed ‘1950s’ heritage style.
Both modern and vintage machinery are employed during the manufacturing process to attain an authentic finish.
There is great attention paid to detail, with over 16 different processes involved in the making of each pair of jeans.
The finished jeans are presented in a hand-stamped potato sack, bearing the factory silhouette. This shape is also used on the traditional leather patch and on the back pocket stitch detail.
Blackhorse Lane Ateliers jeans are available in our Redchurch Street shop from June 2016 and will find their way into our Dover Street Market London space from mid-July.
Photos by David Rowswell
01 April, 2016
Spring is here again, at least some of the time! Longer, lighter days inspire us to shake off the dust, blow away the cobwebs, and reach for the broom and the floor cloth…
In celebration of Spring cleaning we joined forces with Vitsœ to envision The Modern Scullery. This could be a room all to itself or just a couple of shelves beside the back door. The classic Vitsœ 606 Universal Shelving System provides the structure; Labour and Wait household essentials are the content. The fusion of our ideas with those of Vitsœ resulted in a floor-to-ceiling installation at our Redchurch Street shop, which visitors have been admiring since it went up in March.
Creating the display brought pleasant surprises. A harmony between the Vitsœ shelving and our products meant that brushes and dustpans somehow arranged themselves. A line-up of feather dusters never looked so good. Like our sturdy housekeeper’s bucket, the 606 system promises a lifetime of use.
Talking to the Vitsœ team, we found we had ideals in common. Like them, we admire discreet and durable design based on common-sense principles. The collaboration has been a highly rewarding one for Labour and Wait. Thank you, Vitsœ.
Simultaneous displays at our Redchurch Street shop and at the Vitsœ West End showroom have perhaps inspired visitors to attack their spring cleaning with fresh energy!
Photos by David Rowswell
01 December, 2015
The colour of the earth. A rich, dark, peat brown, evoking leather, wood and even chocolate. We always find ourselves drawn to this colour; its depth has a graphic quality like black, but with a warmer, more natural feel. We even fantasise about opening a shop where all the products are brown!
01 November, 2015
11 October, 2015
04 October, 2015
01 October, 2015
27 September, 2015
20 September, 2015
13 September, 2015
06 September, 2015
01 September, 2015
30 August, 2015
23 August, 2015
16 August, 2015
09 August, 2015
02 August, 2015
01 August, 2015
26 July, 2015
19 July, 2015
12 July, 2015
05 July, 2015
04 July, 2015
We have selected fifteen products which embody the Labour and Wait ethos, which we will feature here each week for 15 weeks. These items have been present in our offer since the very beginning.
We believe that they are as essential today as they were back then; timeless products that are forever useful.
03 July, 2015
We celebrated our fifteenth anniversary in style on Thursday 2nd of July.
Getting the final touches on our window display sorted.
Looking good from the outside...
Staff preparing the playlist for the evening. Those Swedish bucket bags make perfect vinyl carrying vessels!
The booklets produced showing our inspirations, philosophy and products, since 2000.
A thoroughly engaging read; Alfred here, our supplier of handmade wooden bath racks, only wishes he'd been supplying us earlier so he could've featured!
Food and drink flowing. Simon at the back pointing out something on the pegboard that has gone wonky.
Rachel and Simon receive a cake for all their hardwork over the last 15 years. Happy Anniversary Labour and Wait!
02 July, 2015
From the outset, there was only one typeface in our minds for Labour and Wait: Gill Sans.
These classic letterforms were designed by Eric Gill and first appeared around 1928. For us, Gill Sans perfectly embodies a graphic simplicity; clear, informative and timeless. Naturally, our choice was influenced by the iconic covers of the first Penguin books.
Gill Sans was also widely used for industrial supply catalogues from the 1930s through to the 1950s, which we enjoy collecting. In addition, we appreciate traditional stationery such as rubber stamps, embossed cards and school exercise books. We like to reference all this material in our branding.
01 July, 2015
01 July, 2015
Our goods come from many different sources. We endeavour to search out specialist makers who in many cases manufacture products to the original deigns, using traditional methods.
Our suppliers range from highly skilled individual craftspeople - like rope work Des Pawson or Sussex trig maker Robin Tuppen - to small family-run workshops such as R. Russell, brush makers. We also work with larger factories like Riess Kelomat in Austria, but this again is a family business. More recently, we have begun collaborating with our makers to develop products which are exclusive to Labour and Wait. It is a real pleasure and privilege to work with these companies and hopefully to ensure the continuity of traditional industries.
We stock vintage items too, always carefully selected. Again, these are objects which have a timeless quality, but all must be fit for use, not just for display. We keep a constant lookout for favourites like stoneware marmalade jars or Lovatts coffee pots, which sadly are no longer made.
30 June, 2015
"Fifteen years ago, I made the pilgrimage to Labour and Wait - seeking out the first shop in Cheshire Street on a busy market Sunday - and since then, barely a month has gone without a return visit, to admire the magnificent displays of hardware.
It always raises a smile to wonder at the heroic arrangements of everyday objects, but I realise now that it has been an education too - Labour and Wait has taught me an appreciation of both the poetry and the humour of these modest household goods.
If, like me, you seek perfection in small things - shiny kettles, enamel pots and pans, galvanised buckets and watering cans, proper bristly brushes and balls of string - Labour and Wait will never disappoint you."
The Gentle Author, Spitalfields
30 June, 2015
Labour and Wait is 15 years old today.
Our aim from the start has been to offer a selection of simple, functional products for daily lie, which not only 'do the job' but look great as well. It had become increasingly difficult to find good-quality 'undesigned' articles, which by their very nature do not date. In fact, we believe such objects actually improve with age as they develop a patina through use.
This philosophy, which has always guided our choice of household products, applies no less in other categories. Classic practical clothing, for example, has been part of Labour and Wait since we began - from striped Breton shirts to genuine Guernsey sweaters.
We aim to source or create products which have a universal appeal and are not bounded by age or gender. In our fifteenth anniversary year, our original concept and beliefs remain unchanged.
01 June, 2015
A bold and cheerful orange. This colour works well in typographical elements and paper products, but also when used for shiny enameled surfaces. A striking highlight, evoking building paraphernalia and warning signs. And for us a Penguin will always be, not black and white, but orange!
01 May, 2015
01 April, 2015
01 March, 2015
01 February, 2015
01 January, 2015
Deep and dark, black gives objects a sculptural quality, as it defines their shape. We often choose black products for LABOUR AND WAIT; the density of the colour can create a dramatic effect. The bold, graphic combination of black with white always has impact.
31 December, 2014
Now that our 2015 Calendar is sold out, we will be sharing each monthly image on our blog throughout the year.
Our calendar this year takes the form of an imaginary chart showing twelve of our favourite colours. We find that we are naturally drawn to certain shades, often those which resonate by reminding us of some particular object. These colours reoccur in many of the products which we select for the shop. We have an aversion to all things ‘pretty’, preferring solid, durable tones. We asked ourselves: ‘What would a LABOUR AND WAIT colour chart look like? What would we name the colours…?’
Until then, here are some behind the scenes images taken during our shoot.
01 December, 2014
01 November, 2014
At LABOUR AND WAIT, we seem to spend our days in a sea of cardboard. Shipments arriving, orders leaving and a great deal of unpacking in between. Here is a material that really deserves its place in our calendar. Our mail-order team in particular have grown to love cardboard and its infinite possibilities.
01 October, 2014
10 September, 2014
We put our bench outside each morning and wonder who might happen by, looking for a sit-down. It could be tourists or locals, couples or families, dog-walkers, picnickers or simply Shoreditch flâneurs. On a Sunday, it could be shoppers from Columbia Road who need to rest their jasmines or their cheese plants.
Bench-users from far-away places are a particular joy. (Thanks again, Rita and Reesi from Estonia and Harry and Jiwoon from South Korea, for letting us take your picture!)
Now that misty mornings are back, we’re thinking about folding it away for another year. It’s all rather sad – like seeing the swallows heading south. We hope you’ll be flying back again next spring, looking for a place to perch.
01 September, 2014
22 August, 2014
Our two styles of Blackwing Pencil are now available online.
The original Blackwing was introduced in the 1930’s and was available up until 1988, when it was discontinued. This caused an outcry, with many fans across the globe bidding against each other on auction sites in order to obtain them. In 2010, the historic pencil makers Palomino revived this stationary classic.
01 August, 2014
01 July, 2014
01 June, 2014
01 May, 2014
29 April, 2014
Dogs are welcome at LABOUR AND WAIT when they are as well-behaved as Ralph. Ralph is a cross chow and Australian cattle dog and he has a beautiful russet coat.
That said, he doesn’t like having his picture taken so we had to catch him unawares.
Of interest to Ralph and others like him are our classic ceramic feeding bowls, handkerchief (for walkers or walkees), our soft but sturdy rope dog leads, purpose-built dog whistle and our scrumptious felt slippers with chewy rubber soles.
Thanks again to Ralph’s owners for letting us feature him here.
01 April, 2014
01 March, 2014
01 February, 2014
17 January, 2014
Friend of Labour and Wait, photographer Jeff Cottenden, recently borrowed a selection of our products for a personal project - He’s kindly shared some of the resulting shots with us. We always enjoy seeing items so familiar to ourselves from another point of view and we hope you will too.
See more of Jeff’s work at www.jeffcottenden.co.uk
01 January, 2014
The natural, tactile qualities of wood speak for themselves. Warm to the touch, wooden objects tend to mellow over time. In fact, they often look better the more they are used, displaying their scuffs and scratches as badges of honour. Wood is a truly timeless material. We would never be without a wooden scrubbing brush or ruler.
28 December, 2013
Throughout the new year we will be sharing each monthly image from our 2014 calendar.
Among the key criteria for selecting our products is the type and quality of the materials used. Each must be fit for purpose and long lasting. We appreciate the tactile surfaces and innate qualities of the different materials we come across; many seem to crop up again and again. In this years calendar, we celebrate the unique characteristics of twelve of our favourite materials. They appear in a series of still-lives, in which utilitarian, sometimes overlooked, objects are given closer scrutiny.
11 December, 2013
And so we reach December, and the final entry in our 2013 Tools of the Trade Calendar. We take a trip once more to Wales, where we find Tom and Anna, proprietors of the Solva Woollen Mill, and makers of our Welsh Tapestry Rugs.
Nestled deep in the Pembrokeshire countryside, the Solva mill has been in operation on this site for over a hundred years, weaving tweeds, flannel, rugs, blankets and stair carpets, and warping wool for knitting.
Originally established in 1907 by Tom Griffiths, Solva was passed down to his daughter Betty and son-in-law Eric on Tom’s retirement in 1950. Betty and Eric ran it for another thirty six years before passing it on to Cynthia and Robert Grime, who in turn passed it on in 2006 to their son Tom, and his wife Anna. The continuity provided by family is important at Solva, as Anna explains:
“The mill has only been owned by two families since it was built and Tom’s family history is intertwined with that of the previous mill owners all the way back to the early 1900s. His grandfather went to school with one of Betty’s brothers and they have always had close family ties. Tom was doing his A-Levels when his parents decided to buy the mill and he jumped at the chance of learning new skills associated with engineering and manufacturing.”
Eric at work ( above ) and Tom ( below ). Eric stayed on at the mill after retirement to help Tom and Anna learn how to run the mill and how to operate the complex machinery, and in particular how to work the Dobcross looms used to produce the tapestry rugs.
The Hattersley Dobcross Box Loom was the workhorse of Twentieth Century British weaving, producing countless thousands of metres of wool, worsteds and tweeds, and although many hundreds were destroyed as mills around the country closed down, there are still a handful of producers who keep and maintain these hardy machines.
“The Dobcross was designed in the 1880s but the dates of ours range from the 1920s, with the newest one being built in 1957. None of them are original, they all have previous lives in other mills. Saying that we do still have an original but its not built at the moment.”
“Nobody carries new spares anymore. The original supplier retired in 1987. We hold a large stock ourselves from looms we’ve bought just to use for spares.”
“The shuttle in our Tools of the Trade picture is probably 35 years old and is brand new – one of our spares! We now use nylon versions of these shuttles which became available in the 1950s and are more robust than the older wooden versions. We still use a pair of nylon shuttles that Tom fitted to a loom when his family bought the mill in 1986!”
And what is the wooden tool on the top left? “Aha that’s no wooden tool! It’s an old buffalo hide picker hence why it’s not on the loom anymore - it’s worn out!! It slides backwards and forwards at the end of the loom throwing and catching the shuttle. Made from riveted buffalo hide, the modern equivalents are now made from nylon.”
We have come across the Dobcross before in Tools of the Trade, in March, when we paid a visit to Elvet Woollen Mill. This machine is the perfect loom for weaving the traditional Caernafon ‘Welsh Tapestry’ pattern that has seen such a resurgence in popularity over the past few years.
“The Tapestry design is the oldest pattern we weave here and was adapted from one of the traditional Welsh bedspread patterns. The rugs and runners woven here were originally of a much simpler design, but in the 1950s Eric noticed how many people had been using the tapestry blankets on their floors, and so he adapted the design using heavier yarn to produce a tapestry rug."
Our Tapestry Rugs are available in our own Labour and Wait Airforce and Olive colours, as well as as in standard Black and Red colourways. The rugs are 'double cloth’, being two layers of cloth woven together, making them weighty and durable as well as fully reversible. Solva use 100% British wool, spun by a family company in Yorkshire.
"The Cats are an integral part of the mill team as they patrol the mill deterring unwanted guests!!”
There were once 26 mills in Pembrokeshire; now Solva is one of only two. Anna and Tom feel proud to maintain the family history that is so closely entwined with the mill: “For my part being able to carry on the family owned tradition with Tom is of huge importance. Breathing new life into the mill and encouraging visitors to appreciate the importance of heritage is one of my reasons for enjoying owning a mill.”
We are very pleased to be able to sell these handsome Tapestry Rugs, woven by Tom and Anna in their Welsh mill. In doing so we feel we are playing our part in preserving a traditional industry, one that has been practiced in this mill for over a hundred years, and which will keep on going for many years yet.
Our thanks also go to all our suppliers who have shared their tools and their stories with us this year. We hope to have shown a little of the companies still proudly making their goods in Britain, many in a traditional manner, all of which we are honoured to sell at Labour and Wait.